Tag Archives: music

IAN SHAW: JAZZ IN THE JUNGLE

Ian Shaw has won the BBC Jazz Awards “Best Vocalist” twice and is critically lauded by the press – “Has few rivals” (Sunday Times); “Our finest jazz singer” (Time Out); “A recipe for bliss” (The Telegraph). Is he really that good? Listen to John Fordham at The Guardian:

“Shaw’s humanity, technique, wit and willingness to take an insane gamble has always kept him in the jazz loop. What you get with Shaw is always really him – sometimes funny, sometimes resigned, sometimes wounded, sometimes over the top, but always technically perfect.”

Ian Shaw (with the fabulous Liane Carroll at the piano)

Ian Shaw (with the fabulous Liane Carroll at the piano)

Yet these days when he packs up his music at the end of a gig (charts for The Great American Songbook, Joni Mitchell, Tom Waits, as well as his own compositions), Shaw is likely to be heading for a place that sees few UK musicians of any stripe – “The Jungle” in Calais, the multinational camp for refugees, migrants, call them what you will, who hope to cross to the UK.

For the past three months he has been visiting regularly, initially because he was outraged by the conditions in the camp he saw on television. Once out there – having taken out much-needed clothes and sleeping bags – he discovered there were decent players among the refugees who had lost their instruments along the very tough way. So later he loaded his car and took over drums, guitars and basses (including one that once belonged to Jack Bruce of Cream, donated by Jack’s family). But he now also helps build, fund, organise and raise awareness of what is going on just a few miles from the Kent coast. And he has put his money where his mouth is. There has been one benefit already, at The Vortex in Dalston, with Sarah Jane Morris and Carleen Anderson, and another is due at Phoenix Artist Club, Soho (Nov 18th, two shows, fabulous line-up, £25, see http://phoenixartistclub.com). All the money raised goes directly to helping the refugees (“I’ve spent all my own,” Shaw confessed from the stage of The Vortex) in practical ways.

Ian Shaw with Georgia Mancio, who will appear at one of the Phoenix shows

Ian Shaw with Georgia Mancio, who will appear at one of the Phoenix shows

Shaw is keen that people know about life in The Jungle, to share the story of the people he has met and the sometimes terrible things that have happened and are happening (the camps are being de-populated, but the refugees are being moved to windowless containers). He is also keen to refute what he calls the “vile lies” about the camp, such as the inhabitants having so many clothes from charities, they burn them for fuel. In fact, charities are very thin on the ground – there isn’t a large UK one active in The Jungle at all. Just an ad hoc group of musicians (as well as a larger contingent of non-musicians) who aren’t doing it for the cameras or some high-profile telly marathon.

From the creation of sublime music in a slum camp to the building of a church from bin bags, from professors to war-battered paupers, Shaw has seen all sorts. And he will be over there in the coming months because, to quote Game Of Thrones, Winter Is Coming, and things aren’t going to get any better. If you wish to help, and get a great gig in to the bargain, head for the Phoenix next week. And he still needs musical instruments.

@ianshawjazz

http://www.ianshaw.biz

MY LUNCH WITH JEFF – THE MUSICAL

On November 18 a piece of music will be premiered at the Queen Elizabeth Hall that owes its existence to a lunch I once had with Jeffrey Bernard (below).

jeffrey-bernard-2

A few months ago, I received two phone calls, a day apart, both concerning Soho. One was from the Groucho Club, asking if I had any anecdotes to contribute to a compendium it was compiling for its 30th anniversary. The other was from Guy Barker, saying he had a hankering to write a piece based on Soho for the BBC Concert Orchestra (he is Associate Composer there). However, he was staring at a blank page (well, actually a screen of the Sibelius programme) and needed a framework. Did I have any ideas for a skeleton he could flesh out with his music? We have done this before, with dZf, a re-working of the Magic Flute, and last year That Obscure Hurt, a Henry James/Britten-inspired piece. I give Guy a narrative; he builds his music around it.

Both phone calls, it seemed to me, could involve a story told to me by Jeff when, back in 1987, I interviewed him over a rather disastrous lunch at the back of the Groucho Club brasserie, when he fell asleep in the soup – the only time I have ever had to save a man from death by pea and ham. Anyway, he described an incident involving himself, the Colony Room, Francis Bacon & Co, a window cleaner’s ladder and more profanity than can be repeated here.

I wrote up the story for the Groucho and then met with Guy and said I would like to make that story at least part of the ‘Soho Symphony’ as we began to call it. I talked over other locations and tall tales we could include. I ended up with the task of combining Bar Italia, Mozart, Ronnie Scott’s, Archer St, a serial killer, the French, the Protestant church on Soho Square, Pizza Express, 20th Century Fox, ‘Fifis’ (the French and Belgian working girls of the 1950s), all-nighters at the Flamingo Club, late night drinking at Gerry’s, Harrison Marks, Paul Raymond, The Black Gardenia and, of course, that Groucho lunch, among many others.

And so, I wrote a short story that is (very, very loosely) inspired by James Joyce’s Ulysses (but, you know, more readable), about a boy failing to meet a girl and spending 24 hours wandering around the streets of Soho, among its ghosts, its music and its memories, and meeting Jeff with his ladder. To paraphrase the producer/writer Kip Hanrahan, I gave this piece of pressed tin to Guy Barker who proceeded to turn it into rolled gold.

It will be played at an ‘orchestral jazz’ concert – although Guy’s piece does not feature his usual jazz band, it is for the BBC C.O. only – featuring the symphony, plus the excellent saxophonist and composer Trish Clowes, and the vocal legend that is Norma Winstone, at the QEH on November 18, as part of the London Jazz Festival (see http://tinyurl.com/mff9g6n).