THE ASCENT OF MOUNT ANALOGUE

Well it has been a long wait and many a day I have almost weakened and thought: sod it, I’ll just buy the CD. But, finally, the vinyl version of The Face of Mount Molehill by the Neil Cowley Trio popped through the door, several months after the release of the CD. Well, it didn’t really pop through the door. Long Players, as we used to call them, are too big for that. A man had to knock and I had to sign for it. Anyway, it was worth the wait, as it sees the usual percussive piano of Cowley (who has more hooks in him than Robson Green’s tackle box) paired with skillfully deployed strings and electronica. Strings, yes. No, he hasn’t gone soft – listen to the pounding Rooster Was A Witness or Fable, which are as infectious and inventive as ever, with incisive support from new bassist Rex Horan and Evan Jenkins on drums. The problem with a vinyl album, of course, is that you have to turn it over half way through. But, like most modern LPs, FOMM comes with a code that enables a one-off download of the MP3 version. So you get the best of both worlds – the warmth and transparency of vinyl and the convenience of digital. The former still sounds better, though, even if it does cost almost twice the price of the CD. The new trio-with-strings format gets an unusual afternoon airing on Saturday 18th November at 2pm at the Barbican, when Cowley and cohorts team up with the Goldsmiths (Big) Strings as part of the London Jazz Festival. Old favourites, new material and collective improvisation is promised. And, much as I like the new album, the band is absolutely best appreciated live.

See http://www.londonjazzfestival.org.uk.

* The Face of Mount Molehill is available as a 180gm vinyl disc plus download code on the Naim label (www.naimlabel.com) for £17.99

A WOMAN ALONE

I was at the ceremony for the unveiling, by The Princess Royal, of the memorial to SOE agent Noor   Inayat Khan yesterday (November 8th). I was an interested party because Noor’s is a fascinating and tragic story, one I almost used in my novel Early One Morning, but realized it would unbalance the book (the beautiful, shy, dreamy but tenacious half-Indian, half-American daughter of the founder of Sufi mysticism, descended from Indian royalty, talented musician and writer – it was all too much for a secondary story). The short ceremony brought home once again the bravery of the men and women of Special Operations Executive who parachuted or were landed into occupied territories. I recently interviewed Cressida Cowell, author of the How to Train Your Dragon children’s books and she mentioned her ‘grandfather Alan’ had been in SOE in Albania. So I looked him up. It turned out Alan Hare was a friend of the recently deceased Patrick Leigh-Fermor and, as his obituary in The Independent confirmed, cut from the same cloth:

“Betrayed by partisans and ambushed by the Germans, Hare only escaped after a grim chase across snow-bound mountains. Ravaged by frostbite, he was the sole survivor of [the mission] to the isolated valleys of the Balkans. He remained far longer than either reason or compassion would have dictated, tending to the wounds of a fellow British officer. He was later awarded a Military Cross.”

 

Noor Inayat Khan, operating as a wireless operator, was also betrayed, in October 1943.  Imprisoned and questioned by the Sicherheitsdienst (SD – the SS intelligence service) at its notorious Avenue Foch HQ, she escaped over the rooftops only to be re-captured during an air raid (the German routine was to head count all prisoners when the air raid alarm sounded, hence her absence was discovered). She gave nothing away during her interrogations. However, against all the security protocols of SOE (which, as MRD Foot has pointed out, were often ambiguously worded in the manuals), Noor had not destroyed her transmission notes or ciphers. The Germans were able to decode the messages and ‘turn’ her radio and, despite some suspicions at home, for several months the British believed Noor was still at large and transmitting. This led to agents beings sent to France with the SD waiting to receive them.

The fact her radio was turned should not detract from Noor’s bravery, either before and after capture – at one point she had been given the chance to pull out, but elected to stay on as the last Paris-London link. Sadly, it was an all too common an occurrence, especially in Holland. There the Germans played the devastating Englandspiel (the English Game) with captured transmitters through most of 1942-3, arresting the agents SOE sent in, the majority of whom perished.

After Avenue Foch, Noor endured months of solitary confinement in shackles in a German prison and was eventually murdered and her body burned at Dachau concentration camp in September 1944, along with fellow SOE recruits Yolande BeekmanEliane Plewman and Madeleine Damerment (with a terrible irony, one of the agents lured to France by the SD using Noor’s radio). Noor was 30 years old. She was posthumously awarded the George Cross and the Croix de Guerre. Her memorial, a bust sculpted by Karen Newman, is located in Gordon Square Gardens, near the University of London.

Recommended books on SOE and the female agents include Sarah Helm’s A Life in Secrets (a fascinating biography of Vera Atkins, who was a lynchpin of SOE’s F – for France – Section), Flames in the Field by Rita Kramer, which traces the lives of the four girls murdered at Dachau and, the book that led directly to the memorial, The Spy Princess by Shrabani Basu.

Thanks to Martyn Cox who has created an invaluable archive of interviews with SOE, FANY (First Aid Nursing Yeomanry), escape line and ‘special duty’ RAF squadron veterans. See www.our-secret-war.org.

A MAN ALONE

Dead Man’s Land is out on January 3rd. It is a novel about Dr John Watson. It might look like that I am, unusually for me, surfing the zeitgeist, with Sherlock Holmes being more popular than ever, but I realized that the concept dates back almost two years to January 2011, when I had a meeting with Maxine Hitchcock, editorial director of Simon & Schuster. She mentioned that they were looking for a work of fiction featuring a ‘detective in the trenches of WW1’. I said it was an interesting idea – what better spot to commit murder than in a place where thousands are being slaughtered each day? But I also knew it had its problems, not least because the front line was very fluid (soldiers did not spend weeks in the trenches – they were rotated back on a regular basis) and also most Military Policemen were concerned with desertion and cowardice than crime. So I said: ‘Actually, it would be better if he wasn’t a copper, but a doctor, just behind the lines, a man who might recognize a murder when he sees one. And why not go one step further and make the central figure Dr Watson?’

Why Watson? Because at the end of His Last Bow, a story written by Conan Doyle in World War One and set in 1914, Holmes mentions that Watson will be rejoining ‘his old service’, which by that time was known as the Royal Army Medical Corps. Holmes, meanwhile, will go back to his beekeeping. And so, for once, Watson is a man very much alone when he finds that there has been at least one murder out on the Western Front.. and that he has been added to the killer’s list.